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Nothing

from Lenses by Grave Closure

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about

Magical crystal chords, soft melodies, languid rhythms,symphonic keyboards.The music not follow a linear path, but is limited to weave a brilliant filigree of sounds.A static structure, almost contemplative suggesting impenetrable inner landscapes.
Arranged with delicate rhythmic psychedelic dissonances, vibrant melisma and classical keyboards.The supernatural arpeggios of the guitar by Luca Ascari the cadences of suspense of the drum, the mournful notes of the keyboard do not make, to give fresco backgrounds for first intens plans by David Antony Rogers from tapered singing, broken by the typical melodic progressions, makes him the gray mind of a futuristic /theatrical/sophisticated decadent rock.

lyrics

Oh I, cannot feel
And I really, feel that I should
It Is what, makes us Human
So Perhaps, I am Not
I am broken
I have no heart
I am Wooden
Cold in the dark
How can I be Normal?
When normal in gone, gone, for good
Children play, they engage
Fall on their knees, for crying out loud
Laugher is infectious poison
They mock me, mock me with unbridled love
I, i am Broken
Ooo, ohh ohh
Ohh ohh ohh
Ooooohhhhhh
How can I be Normal when Normal is gone?
How can I be normal when Normal is wrong?
I y am broken
I y am broken
La la la, La la la, la la la , la la la,.. laaaaaa
La la la, La la la, la la la , la la la,.. laaaaaa
I’ll will never be part, of your social circle
Never hold the Lime light, be part of your packaged elite
Never pass. any emotional, scrutiny
I cannot feel everything, so I feel nothing at all,....nothing at all

credits

from Lenses, track released February 14, 2016
REVIEW BY NO MORE DIVISION
Grave Closure is a collaboration between the musical arranger and sound experimentalist Luca Ascari from Italy and singer-songwriter David Antony Rogers from the UK. Although the two have different approaches, the integration of their styles works out on their release Lenses.

Lenses is a dark, experimental album but it still contains elements of pop here and there. Throughout the album I was most reminded of David Bowie and Scott Walker. At their most experimental you can hear tinges of Walker’s albums such The Drift and Bish Bosch. As far as Bowie goes I think once you hear some of the vocal performances you will know what I'm talking about.

This is an album that may require some effort to get through but is rewarding in the end. It’s certainly not one that you can nonchalantly pop in at a party. Suffice it to say the music on Lenses is more apt for solitude. The songs benefit from scrutiny and analysis.

Up first is “They Walk Amongst Us” which really paints the mood for the remainder of the album. It’s gloomy, bleak and dark but also oddly catchy. The drums drive the atmosphere as the vocalist sings, “Not Hidden In the Dark Alley Ways / Not Frightened Of the Light / No Need For Hidden Secrets / When You Control every Single Mind.” They pick up the pace with “I’m The Wrong Guy” which contains waves of distortion that can overwhelm you while “Nothing” is a misty, ambient piece that slowly unveils itself.

Two of my favorites “My Pity Lover” and “Fair And Modern” don’t have any problem going to the fringe of what music can offer. Scott Walker seems like a direct influence on “Fair And Modern.”

“Love Complete” doesn't shy away from combining multiple synths that cause dissonance and “A New Constellation” embraces what could be considered atonal music. Perhaps the most haunting song is “Last Of Its Kind” which touts absurd, existential lyrics. He sings, “It Were a Pea Soupier / When I spied an Orange beacon Flare / / Falling ghostly slow I had to stop and stare / Is it a call of distress?” They close with the title track, which is actually one of the catchiest songs on the album.

​Lenses is not for the faint of heart. If you are familiar with artist like Scott Walker, John Cage and other music that isn't afraid to push boundaries this album will be a welcome addition. On the other hand if you aren't that familiar with the places music can go I would approach this with an open mind.

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Grave Closure Norwich, UK

Priests of occultism and mysticism,Grave Closure presents a Folknoir and Indie sound. Strong of an esoteric experimentalism, singing by David Antony Rogers that sinking without reticence in the catacombs of intimate music.
Noir magma. Folk acoustic electric and shoegaze guitar and sounds of Ascari are harmonies in strong tints with
electronic inserts.improve spent in avant-garde music.
... more

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