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Lenses

from Lenses by Grave Closure

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about

Ambitious concept that combines pop and orchestral.Rogers sings softly and backed against a syncopated orchestra , acoustic Guitar and keyboards effects .Neurotically forms a dramatic atmosphere.Song that surprisingly evolves, in which you put the wonder with Rogers singing and reaches the quality of a "call and response" system between the voice and the music-The melodies
melody starts from the bottom and then exercise some violence introverted and warm sound.

lyrics

From the fire
At the bottom of the ocean
To the rain drops
At the top of the sky

You can’t know
What the water Knows
Unless you have
Tears in your eyes

From the light
Of the galaxy rising
To the Catherine’s wheels
Dwindling sparks

You can’t know
What the fire knows
When what really matters is
Dark, dark, dark

I read the signs
I have the gift of sight
I see the world through my lenses
To the other side


Trees mar my view
Standing tall and strong
I gaze across the forest
To the river long

And the ravens play their laughing games
The ravens sing their songs
They talk in whispers
Like the chattering leaves

They talk in whispers
And look at you
Deep into your soul
Into darkness, into the darkness

From the light (from the light)
Of the galaxy rising (of the galaxy rising)
To the dwindling spark Katherine wheels (To the dwindling spark Katherine wheels )

You can’t know
What the fire knows
What really matters?
What really matters?

Is dark.

credits

from Lenses, released February 14, 2016
REVIEW BY NO MORE DIVISION
Grave Closure is a collaboration between the musical arranger and sound experimentalist Luca Ascari from Italy and singer-songwriter David Antony Rogers from the UK. Although the two have different approaches, the integration of their styles works out on their release Lenses.

Lenses is a dark, experimental album but it still contains elements of pop here and there. Throughout the album I was most reminded of David Bowie and Scott Walker. At their most experimental you can hear tinges of Walker’s albums such The Drift and Bish Bosch. As far as Bowie goes I think once you hear some of the vocal performances you will know what I'm talking about.

This is an album that may require some effort to get through but is rewarding in the end. It’s certainly not one that you can nonchalantly pop in at a party. Suffice it to say the music on Lenses is more apt for solitude. The songs benefit from scrutiny and analysis.

Up first is “They Walk Amongst Us” which really paints the mood for the remainder of the album. It’s gloomy, bleak and dark but also oddly catchy. The drums drive the atmosphere as the vocalist sings, “Not Hidden In the Dark Alley Ways / Not Frightened Of the Light / No Need For Hidden Secrets / When You Control every Single Mind.” They pick up the pace with “I’m The Wrong Guy” which contains waves of distortion that can overwhelm you while “Nothing” is a misty, ambient piece that slowly unveils itself.

Two of my favorites “My Pity Lover” and “Fair And Modern” don’t have any problem going to the fringe of what music can offer. Scott Walker seems like a direct influence on “Fair And Modern.”

“Love Complete” doesn't shy away from combining multiple synths that cause dissonance and “A New Constellation” embraces what could be considered atonal music. Perhaps the most haunting song is “Last Of Its Kind” which touts absurd, existential lyrics. He sings, “It Were a Pea Soupier / When I spied an Orange beacon Flare / / Falling ghostly slow I had to stop and stare / Is it a call of distress?” They close with the title track, which is actually one of the catchiest songs on the album.

​Lenses is not for the faint of heart. If you are familiar with artist like Scott Walker, John Cage and other music that isn't afraid to push boundaries this album will be a welcome addition. On the other hand if you aren't that familiar with the places music can go I would approach this with an open mind.

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Grave Closure Norwich, UK

Priests of occultism and mysticism,Grave Closure presents a Folknoir and Indie sound. Strong of an esoteric experimentalism, singing by David Antony Rogers that sinking without reticence in the catacombs of intimate music.
Noir magma. Folk acoustic electric and shoegaze guitar and sounds of Ascari are harmonies in strong tints with
electronic inserts.improve spent in avant-garde music.
... more

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